PL Mount
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ARRI Signature Prime 58/T1.8 KK.0019202
The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers.
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Leica Summilux-C 16mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 18mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 25mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 29mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 40mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 50mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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Leica Summilux-C 100mm T 1.4
The goal of the Leica Summilux-C cine lenses was lofty from the start. Take everything known about modern lens design, then perfect it and beautify it until it reaches the border of impossible. The trick, the magic of these lenses, was to do so without losing the Leica character, the natural color rendition and the kindness of the human face and form. The Summilux-C lenses achieve this goal with their absence of breathing, color fringing and distortion, but where they excel is the alchemy of smooth, soft skin tones and backgrounds bounded by a clarity and resolution that distinguished the subject matter in a powerful but natural way without sacrifice or compromise.
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ARRI Signature Prime 58/T1.8 (M) KK.0019203
The ARRI Signature Prime range is the first cine lens series to feature machined magnesium lens barrels, making the optics incredibly lightweight and robust. They are also the first to incorporate ARRI’s next-generation LDS-2 Lens Data System, with high data rates and absolute encoders for fast initializing. LDS-2 extends the possibilities of lens data and is being licensed to other lens and camera manufacturers.