Blackmagic URSA Broadcast G2

£2,915.00£3,015.00 £3,498.00 Inc. Vat (-3%)

In stock

You Save: £100.00 (3%)

Compare
Warranty: 1 Year Standard Warranty
SKU: BK-BMD-CINEURSAMWC6KG2 Categories: , , , Tags: ,

Frequently Bought Together

Blackmagic URSA Broadcast G2 – Ultra HD Broadcast Camera for UHD and HD using B4 Lenses (BMD-CINEURSAMWC6KG2). Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera!

It’s a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it’s compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!

Digital Cinema Camera

URSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true “Hollywood” quality digital film camera.

Get Digital Film Quality for Broadcast

The large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it’s flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it’s perfect for color correction. Using digital film in broadcast is a revolution in image quality!

Exceptional Low Light Performance

The new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it’s optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.

Compatible with B4 Broadcast Lenses

The URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don’t need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!

Built In Optical ND Filters

URSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1/16th and 1/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!

Broadcast Production Camera

The perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That’s the perfect combination for broadcast news and programming.

Live Studio Camera

URSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.

Comes With

  • URSA 12V 100W power supply
  • URSA Mini Shoulder Pad
  • URSA Mini top handle & rubber stopper
  • Viewfinder mounting plate
  • 2 x 1/4 inch baseplate screws
  • 2 x long 1/4 inch top handle screws
  • 2 x short 1/4 inch top handle screws
  • 8 x EF Mount screws
  • 4 x VLock plate spare screws
  • Welcome wallet with QR code for camera software download
  • DaVinci Resolve Studio wallet
  • DaVinci Resolve Studio activation key

Additional information

BRAND

Specification

Camera Features
Effective Sensor Size
  • 2/3 inch sensor size when using 4K B4 mount(Actual sensor size 23.10mm x 12.99mm)
Lens Mount
  • B4 2/3 inch installedActive EF mount also included
Lens Control
  • Electronic control via 12-pin broadcast connector. Control via EF mount pins when using URSA Mini Pro EF Mount with compatible EF lenses.

Lens Correction

  • In-camera correction of color fringing when using compatible broadcast lenses.
 Dynamic Range
  • 13 Stops
 Dual Native ISO
  • 0dB and 18dB gain.
 Sensitivity at 0dB Gain
  • f11 with 2160p59.94.
  • f12 with 2160p50.
  • at 2,000 lux with 89.9% reflectance.
  • additional 1.1 stop light loss using 4K B4 mount.
Signal to Noise Ratio
  • 64.62dB for 2160p
  • Ultra HD scaled from 5.3K
 Built in ND Filters
  • Four position ND filter wheel with clear, 2 stop, 4 stop and 6 stop ND filters.
 Focus
  • Focus button turns on peaking, auto focus available using compatible lenses with focus servo. Touch and hold on LCD determines focus region and triggers auto focus.
 Iris Control
  • Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video and extended video mode.
 Screen Dimensions
  • 4 inch
 Screen Type
  • LCD capacitive touchscreen.
 Controls
  • Touchscreen menus on 4 inch screen. Push buttons for other controls. 3 assignable shortcut keys and 2 assignable shortcut keys (VTR and RET) on compatible broadcast lenses.
 ProRes Shooting Resolutions
and Frame Rates
  • 3840 x 2160 (Ultra HD) up to 60 fps
  • from Ultra HD window or scaled from 5.3K windowed sensor
  • 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor
  • 1920 x 1080 (HD) up to 120 fps scaled from 2.7K windowed sensor
  • 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor
  • 1920 x 1080 (HD) up to 50 fps scaled from full sensor
 H.265 Shooting Resolutions
and Frame Rates
  • 3840 x 2160 (Ultra HD) up to 60 fps
  • from Ultra HD window or scaled from 5.3K windowed sensor
  • 3840 x 2160 (Ultra HD) up to 50 fps scaled from full sensor
 H.264 Shooting Resolutions
and Frame Rates
  • 1920 x 1080 (HD) up to 60 fps scaled from Ultra HD or 5.3K windowed sensor
  • 1920 x 1080 (HD) up to 50 fps scaled from full sensor
 Blackmagic RAW Shooting Resolutions
and Frame Rates
  • 6144 x 3456 (6K) up to 50 fps
  • 6144 x 2560 (6K 2.4:1) up to 60 fps
  • 5376 x 3024 (5.3K 16:9) up to 60 fps
  • 3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps
  • 3840 x 2160 (Ultra HD) up to 60 fps
  • 1920 x 1080 (HD) up to 150 fps
 Project Frame Rates
  • 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps.
  • Off-speed frame rates up to 60p in Ultra HD and up to 150p in HD.
Metadata Support
  • Automatically populated lens data from electronic B4 lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
 Timecode Clock
  • Highly accurate timecode clock. Less than 1 frame drift every 8 hours.
Connections
 SDI Video Inputs
  • 1
SDI Video Outputs
  • 1
SDI Monitor Outputs
  • 1
SDI Rates
  • 1.5G, 3G, 6G, 12G.
Analog Audio Inputs
  • 2 x XLR switchable between mic, line and AES digital audio. Phantom power support.
Analog Audio Outputs
  • 1 x 3.5mm headphone jack, supports iPhone style headset for talkback.
Reference Inputs
  • Tri-Sync/Black Burst/Timecode.
Lens Control
  • 1 x 12-pin Hirose Broadcast Lens Connector
Remote Control
  • 1 x 2.5mm LANC input for Rec Start/Stop, plus Iris and Focus control using compatible lenses.
Computer Interface
  • 1 x USB Type‑C 3.1 Gen 2 with power delivery for external drive recording and connecting Blackmagic Focus and Zoom Demand.
  • 1 x USB Type‑C for software updates.
Audio
Microphone
  • Integrated stereo microphone.
Built in Speaker
  • 1 x mono speaker.
Standards
SD Video Standards
  • None
HD Video Standards
  • 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60 1080i50, 1080i59.94, 1080i60
Ultra HD Video Standards
  • 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
SDI Compliance
  • SMPTE 292M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1 and SMPTE 2082‑10
SDI Audio Sampling
  • 48 kHz and 24 bit
Media
Media
  •  2 x CFast 2.0 card slots
  • 2 x SD UHS‑II card slots
  • 1 x USB‑C 3.1 Gen 2 expansion port with power delivery for recording to external media.
 Media Format
  • Can format media to ExFAT for Windows and Mac or HFS+ for Mac (file systems).
Supported Codecs
 Codecs
  • Apple ProRes 422 HQ
  • Apple ProRes 422
  • H.265 SDI (10-bit 4:2:2)
  • H.265 High (10-bit 4:2:0)
  • H.265 Medium (10-bit 4:2:0)
  • H.265 Low (10-bit 4:2:0)
  • H.264 SDI (10-bit 4:2:2)
  • H.264 High (8-bit 4:2:0)
  • H.264 Medium (8-bit 4:2:0)
  • H.264 Low (8-bit 4:2:0)
  • Blackmagic RAW Constant Bitrate 3:1
  • Blackmagic RAW Constant Bitrate 5:1
  • Blackmagic RAW Constant Bitrate 8:1
  • Blackmagic RAW Constant Bitrate 12:1
  • Blackmagic RAW Constant Quality Q0
  • Blackmagic RAW Constant Quality Q1
  • Blackmagic RAW Constant Quality Q3
  • Blackmagic RAW Constant Quality Q5
 Control
 External Control
  • Lens control of compatible lenses using Blackmagic Zoom Demand and Blackmagic Focus Demand, Blackmagic SDI Control Protocol, iPad control via Bluetooth, 1 x 2.5mm LANC for lens and record control.
Colour Corrector
 Colour Corrector
  • DaVinci YRGB.
Talkback and Tally
Talkback
  • SDI Channels 15/16 and iPhone headset.
Live Tally Indicator
  • Tally on LCD, URSA Viewfinder and URSA Studio Viewfinder.
Storage Features
Storage Type
  • 2 x CFast 2.0
  • 2 x SD UHS‑II cards
  • 1 x high speed USB‑C expansion port for external media.
  • 2.5 inch SSD using optional URSA Mini Recorder
Storage Rates
  • Storage rates based on 30 frames per second.

6144 x 3456 (6K)

  • Blackmagic RAW 3:1 – 323 MB/s
  • Blackmagic RAW 5:1 – 194 MB/s
  • Blackmagic RAW 8:1 – 121 MB/s
  • Blackmagic RAW 12:1 – 81 MB/s
  • Blackmagic RAW Q0 – 242 to 483 MB/s
  • Blackmagic RAW Q1 – 162 to 387 MB/s
  • Blackmagic RAW Q3 – 108 to 277 MB/s
  • Blackmagic RAW Q5 – 65 to 162 MB/s

6144 x 2560 (6K 2.4:1)

  • Blackmagic RAW 3:1 – 240 MB/s
  • Blackmagic RAW 5:1 – 144 MB/s
  • Blackmagic RAW 8:1 – 90 MB/s
  • Blackmagic RAW 12:1 – 60 MB/s
  • Blackmagic RAW Q0 – 180 to 359 MB/s
  • Blackmagic RAW Q1 – 120 to 287 MB/s
  • Blackmagic RAW Q3 – 80 to 205 MB/s
  • Blackmagic RAW Q5 – 49 to 120 MB/s

5376 x 3024 (5.3K 16:9)

  • Blackmagic RAW 3:1 – 248 MB/s
  • Blackmagic RAW 5:1 – 149 MB/s
  • Blackmagic RAW 8:1 – 94 MB/s
  • Blackmagic RAW 12:1 – 63 MB/s
  • Blackmagic RAW Q0 – 186 to 371 MB/s
  • Blackmagic RAW Q1 – 125 to 297 MB/s
  • Blackmagic RAW Q3 – 84 to 213 MB/s
  • Blackmagic RAW Q5 – 51 to 125 MB/s

3728 x 3104 (3.7K 6:5 anamorphic)

  • Blackmagic RAW 3:1 – 177 MB/s
  • Blackmagic RAW 5:1 – 106 MB/s
  • Blackmagic RAW 8:1 – 67 MB/s
  • Blackmagic RAW 12:1 – 45 MB/s
  • Blackmagic RAW Q0 – 133 to 265 MB/s
  • Blackmagic RAW Q1 – 89 to 212 MB/s
  • Blackmagic RAW Q3 – 60 to 152 MB/s
  • Blackmagic RAW Q5 – 36 to 89 MB/s

3840 x 2160 (Ultra HD)

  • Apple ProRes 422 HQ – 110 MB/s
  • Apple ProRes 422 – 73.6 MB/s
  • H.265 SDI – 12.3 MB/s
  • H.265 High – 10.8 MB/s
  • H.265 Medium – 7.8 MB/s
  • H.265 Low – 3.2 MB/s
  • Blackmagic RAW 3:1 – 127 MB/s
  • Blackmagic RAW 5:1 – 77 MB/s
  • Blackmagic RAW 8:1 – 48 MB/s
  • Blackmagic RAW 12:1 – 32 MB/s
  • Blackmagic RAW Q0 – 96 to 190 MB/s
  • Blackmagic RAW Q1 – 64 to 153 MB/s
  • Blackmagic RAW Q3 – 43 to 109 MB/s
  • Blackmagic RAW Q5 – 26 to 64 MB/s

1920 x 1080

  • Apple ProRes 422 HQ – 27.5 MB/s
  • Apple ProRes 422 – 18.4 MB/s
  • H.264 SDI – 7.0 MB/s
  • H.264 High – 5.6 MB/s
  • H.264 Medium – 3.2 MB/s
  • H.264 Low – 1.8 MB/s
  • Blackmagic RAW 3:1 – 19 MB/s
  • Blackmagic RAW 5:1 – 12 MB/s
  • Blackmagic RAW 8:1 – 7.8 MB/s
  • Blackmagic RAW 12:1 – 5.2 MB/s
  • Blackmagic RAW Q0 – 23 to 47 MB/s
  • Blackmagic RAW Q1 – 16 to 37 MB/s
  • Blackmagic RAW Q3 – 10 to 27 MB/s
  • Blackmagic RAW Q5 – 6 to 16 MB/s
Recording Formats
  • Apple ProRes 3840 x 2160 and 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
  • H.265 3840 x 2160 with film, video or extended video dynamic range or custom 3D LUT.
  • H.264 1920 x 1080 with film, video or extended video dynamic range or custom 3D LUT.
  • Blackmagic RAW Q0, Q1, Q3, Q5, 3:1, 5:1, 8:1 and 12:1 at 6144 x 3456, 6144 x 2560, 5376 x 3024, 3728 x 3104, 3840 x 2160, 1920 x 1080 recorded in non-linear 12 bit with film dynamic range and extended video, video or custom 3D LUT embedded in metadata.
Software
Software Included
  • Blackmagic OS
  • DaVinci Resolve Studio for Mac and Windows including activation key
  • Blackmagic Camera Setup
  • Blackmagic RAW Player
  • Blackmagic RAW QuickLook Plugin
  • Blackmagic RAW SDK
  • Blackmagic RAW Speed Test
Operating Systems
Operating Systems
  • Mac 10.15 Catalina,
  • Mac 11.1 Big Sur or later.
  • Windows 10, 64-bit.
Power Requirements
 Power Supply
  • 1 x External 12V DC 100W power supply with 100 – 240V AC 50/60Hz IEC C14 input.
 External Power Input
  • 1 x 4-pin XLR port for external mains power supply or battery use.
  • 1 x 12-pin Molex connector under rear battery plate.
Power Output
  • +12V 4-pin XLR regulated output on side of camera
  • +12V D-Tap regulated output on VLock battery plate
Power
  • Rear camera mount compatible with industry standard V-mount or gold mount battery plates.
Accessories
Optional Accessories
  • Blackmagic URSA Viewfinder
  • Blackmagic URSA Studio Viewfinder
  • Blackmagic Camera Fiber Converter
  • Blackmagic Studio Fiber Converter
  • Blackmagic URSA Mini Pro PL mount
  • Blackmagic URSA Mini Pro F mount
  • Blackmagic URSA Mini Mic Mount
  • Blackmagic URSA Mini Recorder
  • Blackmagic URSA Gold Battery Plate
Physical Specifications
Dimensions
  • 5.9in x 10.95in x 9.93in (149.86mm x 278.13mm x 252.22mm)
Weight
  • 7.83lb (3.55kg)

Features

  • Native 6K sensor with 13 stops of dynamic range.
  • Up to +36dB ISO for incredible low light performance.
  • USB-C port allows recording directly to external disks.
  • Includes Blackmagic generation 5 color science.
  • Features incredible quality Blackmagic RAW recording.
  • Optional focus and zoom demands for lens control.
  • Compatible with new Blackmagic URSA Mini Recorder.
  • Includes full DaVinci Resolve Studio for post production.
Be the first to review “Blackmagic URSA Broadcast G2”

Your email address will not be published.

Reviews

There are no reviews yet.

Wishlist 0
Continue Shopping

Main Menu

Blackmagic URSA Broadcast G2

£2,915.00£3,015.00 £3,498.00 Inc. Vat (-3%)

Add to Cart