| PRODUCT INFORMATION | |
| Product Name | Ninja RAW |
| Main Category | Monitor-recorder |
| Secondary Category | On-camera accessory |
| Part Code / SKU | ATOMNJRW01 |
| UPC | 814164023399 |
| EAN | 0814164023399 |
| MSRP (excluding local sales taxes) | |
| Ninja RAW | USD-US $699 / USD-ROW $699 / EUR €599 / GBP £599 / AUD $999 |
| Key Features | |
| 1 | Super-bright, 1500nit, 5-inch HDR touchscreen display |
| 2 | Camera control – manage start/stop, ISO, shutter, aperture, white balance |
| 3 | Record in Apple ProRes or ProRes RAW direct from the camera sensor to CFexpress Type B media or external USB-C storage |
| 4 | Supports ProRes RAW, ProRes RAW HQ, ProRes LT, 422 & 422 HQ |
| 5 | File-compatible with all leading NLEs, including DaVinci Resolve, Adobe Premiere Pro, Apple Final Cut Pro, Avid Media Composer |
| 6 | Full suite of professional monitoring tools, including EL Zone™ false color, focus peaking, waveform & more |
| 7 | Includes unique tools like Onion Skin overlay to compare frames or align shots |
| 8 | 2 x USB-C ports for external storage*, or network adaptor* (*sold separately) |
| 9 | Rugged and reliable – built for real-world production environments |
| 10 | Super mobile – runs on NP-F batteries, USB-C power banks, or DC adaptor |
| Description | |
| Positioning / tagline | Monitor. Control. Record. |
| Product title - short option | Ninja RAW: 5-inch HDMI monitor-recorder, camera control & CFexpress |
| Product title - long option | Ninja RAW: ProRes/ProRes RAW monitor-recorder with camera control for HDMI & mirrorless cameras |
| Short description | HDMI & CFexpress 5-inch monitor-recorder with camera control |
| Long description | Ninja RAW combines HDMI I/O, 1500nits HDR touchscreen, Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, with a full suite of professional monitoring tools, and camera control/touch to focus for supported cameras. Ideal for content creators with HDMI DSLRs and mirrorless cameras. |
| Product Specifications | |
| Dimensions (W x H x D mm) | 151mm x 92mm x 36mm |
| Weight | 400gms |
| Mount points | 1 x anti-rotation 1/4-inch & 3/8-inch, top and bottom |
| Environmental | |
| Ambient operating temperature | Up to 40 degrees Celsius |
| Construction | |
| Body | Aluminium with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
| Power | |
| Input voltage | 6.2V to 16.8V DC |
| Operating power | Up to 30W |
| Multi-function button | Power / lock screen |
| Continuous power | Via NP-F battery or USB-C PD Power |
| DC in connector | Via Battery Eliminator (optional) |
| DTAP | Up to 13W |
| USB PD IN | 45W capable, power supply required |
| USB PD OUT | Up to 13W |
| Display | |
| Size | 5.2-inch |
| Resolution | 1920 x 1080 |
| Backlight Type | Edge lit |
| Brightness (cdm2 / Nits) | 1500 |
| Aspect ratio | 16:9 |
| Color Gamut | Rec.709 |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | BT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
| Video Input | |
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | No |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Video Output | |
| HDMI | 1 x HDMI (2.0) up to 6Kp30 |
| Locking port | Optional |
| Wi-Fi | No |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
| HDMI | RAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut |
| Network | |
| USB | 2 x USB-C 2.0/3.0 |
| Connectivity | |
| Bluetooth | No |
| LANC | Yes |
| Audio In/Out | |
| HDMI | 8-channel, 24-bit |
| Analogue Audio Line In | 3.5mm headphone jack, 2-channel input |
| Headphone Out | 3.5mm headphone jack, 2-channel |
| Timecode | |
| Embedded | HDMI |
| Time of day | Yes |
| Reference / Genlock input | No |
| LTC | No |
| Wireless AirGlu RF Server and Client | No |
| Wireless AirGlu BT Server | No |
| Resolution & Frame Rates (Record, Monitor & Playback) | |
| RAW | Up to 6Kp30 |
| 4K DCI | 23.98/24/25/29.9/30/50/59.94/60p |
| 4K UHD | 23.98/24/25/29.9/30/50/59.94/60p |
| 2K DCI 2048 x 1080 | Yes |
| 1080p | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
| 1080 PsF | Converted to P and looped out PsF |
| 1080i | 50/59.94/60i |
| 720p | 50/59.94/60p |
| Supported Media | |
| CF Express | Atomos certified CF Express Type B media |
| USB | Atomos certified USB 3.0 media |
| File System | ExFAT |
| Codecs | |
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| Playback | |
| Playlist | Yes - create customer playlists from full or sub-clips |
| Loop | Yes - with user-customizable in/out markers |
| Apple ProRes RAW | Yes - recorded clips |
| Apple ProRes | Yes - with linear PCM audio |
| Avid DNx | Yes - with linear PCM audio |
| H.265 | Yes |
| Recording | |
| Pre-roll | ProRes, DNxHD only |
| Timelapse | Yes |
| Simultaneous Proxy Record | Yes |
| On-screen Monitoring Tools | |
| Waveform | 3 sizes – adjustable opacity & brightness |
| RGB parade | 3 sizes – adjustable opacity & brightness |
| Vectorscope | 2 sizes – adjustable opacity & brightness |
| 1 x Zoom | Yes. 1:1 pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Color | Yes, with scale |
| ARRI False Color | Yes |
| EL Zone | Yes |
| Zebra | Yes, adjustable |
| Isolate color channel | Blue only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
| Onboard Signal Processing | |
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
| 4K UHD downscale for HD | Loop out - 4K UHD to HD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
| Remote Control | |
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| Serial 2.5mm Jack | Calibration via optional USB to serial cable |
| AirGlu BT | No |
| AirGlu RF | No |
| Camera Control | |
| USB-C | Start/stop recording, ISO, shutter, aperture, frame rate, touch to focus (with supported cameras) |
| What’s in the Box | |
| Accessories included | Ninja RAW monitor-recorder, USB-C locking cable adaptor, HDMI locking cable adaptor, USB-C locking cable (45cm), Quick Start Guide. |
| Box dimensions (W x H x D mm) | 190mm x 130mm x 75mm |
| Box weight | 665gms |
| Warranty | |
| Standard | 1 year. Extended to 2 years on product registration (excludes screen). |