|
| Dimensions (W x H x D mm) | 482mm x 310mm x 60mm |
| Weight | 5.22 Kg |
| Mount points | 19-inch rack ears |
| Rack height | 7 RU |
| VESA mount | No |
|
| Ambient operating temperature | Up to 40 degrees Celsius |
|
| Body | Aluminum with ABS plastic |
| Cooling | Actively controlled fan and heat sink |
| Touchscreen | Capacitive touch |
| Tally light | LED on front only |
| Multi-function buttons | Power + 6 assignable |
|
| Input voltage | DC 12V to 16.8V DC |
| Operating power | 75W |
| Compatible batteries | Connect to either/both DC 4-pin XLR input |
| Battery voltage | 14.4V nominal |
| Battery power | Single battery input via dedicated 4-pin XLR |
| DC-In connector | 1 x 4-pin XLR for included DC power supply |
| D-Tap | Via third-party D-Tap to 4-pin XLR cable |
|
| Size | 19-inch |
| Resolution | 3840 x 2160 4K UHD |
| Bit depth | 10-bit (8+2 FRC) |
| Backlight type | Double Edge-Lit |
| Brightness (cdm2 / Nits) | 1200 |
| Aspect ratio | 16:9 |
| Color gamut | 100% Rec.709, 99% DCI-P3, 99% NTSC, 87% BT.2020 |
| Calibration support | Calibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable (ATOMCAB018, sold separately) |
| Color Pipeline | |
| Gamma | Sony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut | DCI P3, DCI P3+, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema / Panasonic V Gamut /ARRI Alexa Wide Gamut / JVC LS300. RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display | .Cube format (17 & 33 points supported) |
| 3D LUT Down Stream | Loop out |
| 3DLUT 50/50 | Yes |
| Monitoring Modes | Native / HLG / PQ / 3D LUT |
| HDR Output Conversion | Log / HDR to HLG / PQ |
| Video Input | |
| HDMI | 1 x HDMI (2.0) up to 4K60P |
| Locking port | No |
| SDI | 2 x 12G-SDI (6G/3G backwards compatible) + 2 x 3G-SDI |
| Wi-Fi | No |
| Bit depth | 8/10-bit for video / up to 12-bit for RAW |
| Video chroma subsampling | YCbCr 4:2:0 & 4:2:2 |
| HDR Output Conversion | HDMI auto detection |
|
| HDMI | 1 x HDMI (2.0) up to 4K60P |
| Locking port | No |
| SDI loop through | 1 x 12G-SDI |
| Wi-Fi | No |
| USB | 2 x USB-C 2.0/3.0 |
| Bit Depth | 8/10-bit video |
| Video Chroma Subsampling | 4:2:2 |
| Metadata | |
| SDI | File name – ARRI & RED.RAW – white balance, exposure index, shutter speed/angle, iris/F-stop, ISO, gamma, gamut |
| File naming - standard | Scene/shot/take & rolling scene/shot/take |
| File naming - over SDI | Auto-matched filenames from supported ARRI & RED Cameras |
| Network | |
| Ethernet | 1 x RJ45 |
| Connectivity | |
| USB | 2 x USB-C 2.0/3.0 |
| Bluetooth | No |
| LANC | Yes |
| Video Signal Conversio | |
| HDMI to SDI | Yes |
| SDI to HDMI | Yes |
| Audio In/Out | |
| Audio quality | 24-bit / 48kHz |
| Audio codec | PCM |
| HDMI | 8-channel, 24-bit (input dependent) |
| SDI | 12-channel, 24-bit (input dependent) |
| Analogue audio in | 2 x 3-pin XLR (female) |
| Analogue audio out | 2 x 3-pin XLR (male) |
| Speakers | Mono confidence up to 1.5W |
| Headphone Out | 3.5mm headphone jack, 2-channel |
|
| Embedded | HDMI & SDI |
| Time of day | Yes |
| Reference / Genlock input | Yes (playback mode only) |
| LTC | LTC via dedicated BNC input (record mode only) |
| Wireless AirGlu RF Server and Client | No |
| Wireless AirGlu BT Server | No |
| Resolution & Frame Rates (Record, Monitor & Playback) | |
| 6K RAW | Up to 6Kp30 via SDI |
| 4K RAW | Up to 4Kp60 via SDI |
| 2K RAW | Up to 2Kp240 via SDI |
| 4K DCI | Up to 4Kp60 |
| 4K UHD | Up to UHDp60 |
| 2K DCI 2048 x 1080 | Up to 2Kp60 |
| 1080p | Up to 1080p120 |
| 1080 PsF | Only via pulldown to progressive |
| 1080i | 1080i50 / 1080i60 |
| 720p | Up to 720p60 |
| Supported Media | |
| CF Express | Atomos certified CF Express Type B media |
| USB | Atomos certified USB 3.0 media |
| File System | ExFAT |
|
| Apple ProRes RAW | ProRes RAW, ProRes RAW HQ |
| Apple ProRes | LT, 422, 422 HQ |
| Avid DNxHD | DNxHD 220x, 220, 145, 36 |
| Avid DNxHR | LB, SQ, HQ, HQX |
| H.265 | LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0 |
| H.264 | Not supported |
| Playback | |
| Playlist | Yes - create customer playlists from full or sub-clips |
| Loop | Yes, with user-customizable in/out markers |
| Apple ProRes RAW | Yes - recorded clips |
| Apple ProRes | HQ, 422, LT (linear PCM audio only) |
| Avid DNx | DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (linear PCM audio only) |
| H.265 | Yes |
|
| Pre-roll | 8s HD / 2s 4K - ProRes, DNxHD only |
| Timelapse | Yes |
| ISO recording | 4 x ISO up to 1080p60 (3G SDI Level A & B) |
| Switched program record | Yes |
|
| Dual input display | Via multi ISO input mode |
| Multiple SDI input | Up to 4 x 1080p60 (3G SDI Level A & B) |
| Multiview display | Via multi ISO input mode |
| Input switching | Yes |
|
| Waveform | 3 sizes – adjustable opacity & brightness |
| RGB parade | 3 sizes – adjustable opacity & brightness |
| Vectorscope | 2 sizes – adjustable opacity & brightness |
| 1 x Zoom | Yes. 1:1 pixel mapping for 4K |
| 2 x Zoom | Yes |
| Focus peaking | Colour selected / threshold setting / colour / mono / edges only |
| Atomos False Color | Yes, with scale |
| ARRI False Color | Yes |
| EL Zone False Colour | Yes |
| Zebra | Yes, adjustable |
| Isolate color channel | Blue Only |
| Cine Frame Guides | Presets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides | Presets for 9:16, 1:1, 191:1, 4:5 |
| Onion Skin | Yes |
| Safe areas | Action and graphic |
| Grid markers | 9 grid |
| Anamorphic desqueeze | 1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x |
| Display Flip | Vertical only |
|
| 4K UHD downscale for HD | Loop out - 4K UHD to FHD |
| DCI Crop | Loop out - 17:9 to 16:9 crop |
| Pulldown removal | 24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown) |
|
| HDMI | Auto HDMI trigger, supported protocols - Canon, Sony, Atomos |
| SDI | SDI trigger camera selectable |
| Serial 2.5mm jack | Calibration via optional USB to serial cable |
|
| AC to DC Power Adaptor | Yes, sold separately (ATOMPWR024) |
| Sun Hood | No |
|
| ATOMOSphere | Direct progressive upload supported (20GB free storage) over Ethernet |
| Adobe Frame.io | Direct progressive upload supported (separate purchase) over Ethernet |
| Dropbox | Direct progressive upload supported (separate purchase) over Ethernet |
|
| Contents | Shogun AV-19 monitor-recorder-switcher, 4-pin XLR power supply, 5 x international IEC power cables, rack nuts and bolts (x10), screen cloth, Quick Start Guide |
| Box dimensions (W x H x D mm) | 581mm x 383mm x 165mm |
| Box weight | 10 Kg (including all cables & accessories) |
|
| Standard | 1 year. Extended to 2 years on product registration (excludes screen). |